by Jessie Jones
Write me a whatnot. Black lacquer and gold
around the mirror that shows my likeness. Highness, mother
of pearl, mantis on button feet, Van Cleef
clovers stamped on the receding
tiers. Write my incomprehension
at real wealth. Write me an aegis, Ptolemaic. Cruel
blue lion face. Write me as the cow
puncher, cocky at no larger than a thumb.
Expression a mean one. What is akimbo.
What is the West. Write me orchards, trunks
like thick wrists holding up dahlias.
Gods in love. The incisive birds
attendant at our feet. Sunset shielded by umbrella
trees. Write fruit hat. Write exquisite
gaze. Write a mauve hand on a pink breast.
Deep green hillside rubbed until it fades. What is the balm.
What does verbiage bear away. Write your beloved
tamed, serenely penned in the garden. What shape
do her vegetal thoughts take. Write angelic
boredom, indifference to death, gorgoneion
belief tearing through the forehead. Write flabbergast.
Write peaceful steed burning the air. The chain
in your mind is making a racket. Write juice oozing
all over clean countertops. Write turquoise into the soul
of a catfish, gold to its fins, dressed in nets.
What if you haven’t caught it yet. Hand on heart, write
a lamb in the wilderness. Echoes most vigorous.
Write your sorries for all the silly tests
of love. Write the sky gold as a bloodstained robe,
placid scenes of passion, the most private
devotion. Write me upright, stayed by whalebone.
Write the conditions of our narrative, all its slobbering
dogs, sliding smiles, looks seductive and askance. We always
have a hand in our epiphanies. Write the bustle, cotton
and metal, give me the shape of a treble clef. Just so.
Musical. In the classical mode. Write a wind that will urge me.
Jessie Jones
Jessie Jones grew up on the prairies and now resides in Montréal. Her first poetry collection, The Fool, was a finalist for the A.M. Klein Prize and the Raymond Souster Award. She is now working on a collaborative novel and a new collection of poetry.