Headlight Anthology

a student-run journal

Nuclear Semiotics

by Adriana Wiszniewska

In the event of apocalypse, 
we will not be saved. 
But we’ve focus-grouped ways 
to minimize the damage. 
The brightest minds 
think-tanking the 
End Times.

                                                    This place is not a place of honor.
                                                    This place is a message.
                                                    This message is a warning about danger.

How human! To imagine 
our own survival 
when the odds are stacked 
mountain high 
against us. We’ll turn our failures 
into fairy tales, sing songs 
of our shameful mistakes, 
mythologize our madness 
for the next ten 
millennia.

                                                    The form of the danger is an emanation of energy.
                                                    The danger is to the body, and it can kill.

We predict 
a world of technicolor 
feline abominations, cursed offspring 
of our blessed experimentation.
In two thousand years, catastrophe 
will be Catholicized, sacred 
knowledge passed down by an unholy 
atomic priesthood, heaping 
atrocity upon atrocity.
A Landscape of Thorns 
breeding unnatural growth, artificial 
plants encoded with hidden DNA 
transmissions

                    Oh the flowers
                                                    They cover over everything.
                                                    The flowers cover over everything.

Traces of our noble experiment will linger 
in the very earth, 
waiting to be discovered.

                    Pay attention!

                                                    This place is best shunned and left uninhabited.
                                                    We considered ourselves to be a powerful culture.
                                                    Sending this message was important to us.

                    Who will be left to hear it?

Adriana Wiszniewska is a writer and photographer from Ottawa, ON. She lives in Montreal and spends her days thinking about space and marvelling at the things people do with words.

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